This reminds me of a neat piece of computer keyboard -> audio software I found on what had to be an "old internet" site 15-20 years ago. For lack of a better phrase, it was relative tone keyboard. I've looked but have not been able to find the software, not remembering any hint of the name, but it was fun to play with.
It worked one of two ways, I'm not positive which.
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You stared with musical note C. One note could be played at a time. G would go down a half note, H up a half note. F down a whole note, J up a whole note. Repeatedly pressing G would go down the chromatic scale. Playing a Diatonic scale up would be a combination of pressing H and J.
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Pretend the keyboard letter G is the base note, mapped to C in music. F would give a half note lower, H a half note higher, and so on across the home row of the keyboard. Then you could adjust the base note (perhaps T to go down a half note, Y to go up a half note).
In essence, you could transpose a song from the key of C to D by doing a modifier, and your fingers could complete the exact same sequence. In a jazz application, something on Spiral Synth like "FSA, GDS, HFD, K" might have been
If anyone is unclear on how to switch to microtonal mode (okay, if you're pendantic, "xenharmonic" would be the right term), use the gear at the top-right and change the Tuning system from 12-TET to something else.
inspired from a few years of travel, i built something that aims to bridge the gap between modern western music with historical and global tunings.
the modern western mode of 12 Tones Equal Temperament (12-TET) is the default and likely the one you are most familiar with. once comfortable with the ui, i recommend exploring other N-TET versions to see what what harmonies your intuition guides you towards!
to better help you understand these N-TET modes, there is a 2D geometric visualizer that will computes the geometric shape of your chord and match it against common chord classes (major, minor, 7ths, 9ths, etc.)
the 2D version uses a realtime 2D convex hull algo.
there is also a 3D Tower version that hacks around the 3D convex hull algo (looks accurate but not accurate)
there is also some basic synth sound design implemented as well.
It worked one of two ways, I'm not positive which.
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You stared with musical note C. One note could be played at a time. G would go down a half note, H up a half note. F down a whole note, J up a whole note. Repeatedly pressing G would go down the chromatic scale. Playing a Diatonic scale up would be a combination of pressing H and J.
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Pretend the keyboard letter G is the base note, mapped to C in music. F would give a half note lower, H a half note higher, and so on across the home row of the keyboard. Then you could adjust the base note (perhaps T to go down a half note, Y to go up a half note).
In essence, you could transpose a song from the key of C to D by doing a modifier, and your fingers could complete the exact same sequence. In a jazz application, something on Spiral Synth like "FSA, GDS, HFD, K" might have been
the modern western mode of 12 Tones Equal Temperament (12-TET) is the default and likely the one you are most familiar with. once comfortable with the ui, i recommend exploring other N-TET versions to see what what harmonies your intuition guides you towards!
to better help you understand these N-TET modes, there is a 2D geometric visualizer that will computes the geometric shape of your chord and match it against common chord classes (major, minor, 7ths, 9ths, etc.)
the 2D version uses a realtime 2D convex hull algo.
there is also a 3D Tower version that hacks around the 3D convex hull algo (looks accurate but not accurate)
there is also some basic synth sound design implemented as well.
please enjoy!
~yoshih
On desktop it's awesome. Very cool!
Why doesn't clicking on the key spiral trigger the same visualization in the right panel that using the keyboard does?
I wonder if "shift" would be a good modifier to some of the key behavior (reverb?)